{"id":138974,"date":"2016-05-07T19:59:42","date_gmt":"2016-05-07T18:59:42","guid":{"rendered":"http:\/\/www.recom.link\/sarajke-pod-opsadom-zivi-spomenici-2\/"},"modified":"2016-05-07T20:06:25","modified_gmt":"2016-05-07T19:06:25","slug":"sarajke-pod-opsadom-zivi-spomenici","status":"publish","type":"post","link":"https:\/\/www.recom.link\/bhsc\/sarajke-pod-opsadom-zivi-spomenici\/","title":{"rendered":"Sarajke pod opsadom – \u017eivi spomenici"},"content":{"rendered":"
\n

Na fotografijama Hidajeta Deli\u0107a, bilo da se Sarajke smiju, bilo da pla\u010du, da izgledaju zabrinute, vesele, ljute, sjetne, tu\u017ene ili umorne \u2013 one su uvijek gorde, prkosne i ponosne.<\/h2>\n
\"Sarajevo,
Svaka \u017eena koja je ostala u Sarajevu pod opsadom bila je istinska heroina [Fena]<\/figcaption><\/figure>\n<\/div>\n
\n

 <\/p>\n

Pi\u0161e: Nihad Kre\u0161evljakovi\u0107<\/a><\/strong><\/p>\n

 <\/p>\n

Ovogodi\u0161nji program “Modul memorije 2016<\/a>” posebnu pa\u017enju posvetio je ulozi \u017eene u uvjetima rata<\/a>, ukazujuju\u0107i na njen heroizam i zna\u010daj.<\/p>\n

Tada\u0161nji predsjednik Republike BiH jednom prilikom izjavio je: “Hrabrost bosanske \u017eene, njena snaga i ponos bili su neki od odlu\u010duju\u0107ih \u010dinilaca u borbi Bosne i naroda za opstanak.”<\/p>\n

U izlo\u017ebi, koja je tako\u0111er kao dio ovogodi\u0161njeg programa “Modul memorije” bila postavljena u Sarajevskom ratnom teatru<\/a>, Pierre Adrien Brazzini skrenuo nam je pa\u017enju na najhrabrije me\u0111u nama – na \u017eene s prve linije.<\/p>\n

Ispri\u010dao nam je pri\u010du deset od 5.360 \u017eena koje su bile u redovima Armije BiH. Mnoge od njih \u017ertvovale su svoje \u017eivote. Zahvaljuju\u0107i njima danas, unato\u010d svim dramama i tegobama tranzicionog dru\u0161tva, u mogu\u0107nosti smo da u svetosti mira razmi\u0161ljamo o tome \u0161ta u\u010diniti da bismo svi \u017eivjeli bolje. Bez obzira na sve, mnogo je lak\u0161e razmi\u0161ljati o budu\u0107nosti dok oko vas ne odjekuju eksplozije granata i kada vam je jedina \u017eelja “samo da ne puca”.<\/p>\n

U galeriji Ars Aevi<\/a> postavljena je izlo\u017eba fotografija “\u017dene u Sarajevu pod opsadom”, \u010diji je autor jedan od bosanskohercegova\u010dkih fotografskih veterana Hidajet Deli\u0107. Brojne fotografije velikih svjetskih i doma\u0107ih fotografa poput one Melihe Vare\u0161anovi\u0107 koju je snimio britanski fotograf Tom Stoddart ili brojnih drugih fotografija koje su snimili Milomir Kova\u010devi\u0107, Roger Richards, Annie Leibovitz, Mario Bocca, Ron Haviv, Rikard Larma, Danilo Krstanovi\u0107, Enrico Dagnino, Morten Hvaal , Paul Lowe, Fehim Demir, A\u0107if Hodovi\u0107, Dejan Veki\u0107, Fuad Fo\u010do mogle bi biti sadr\u017eajem jedne od najveli\u010danstvenijih pri\u010da o \u017eeni uop\u0107e!<\/p>\n

“Sarajke” prikazane na ovim fotografijama apsolutno su suvremena verzija Euripidovih “Trojanki”! I naravno, nije rije\u010d o Sarajkama u smislu geografske odrednice, ve\u0107 o globalnoj metafori. Zbog toga je va\u017eno spomenuti i organizacije kao \u0161to su “\u017dene Srebrenice” ili “\u017dene u crnom” koje su ovaj na\u0161 balkanski prostor, unato\u010d svim u\u017easima, svojim postojanjem u\u010dinile normalnijim i moralnijim…<\/p>\n

Va\u017enost izlo\u017ebe Hidajeta Deli\u0107a nalazi se u \u010dinjenici da je rije\u010d o jednom od prvih poku\u0161aja da se u formi fotografske izlo\u017ebe op\u0107enito tematizuje uloga \u017eene pod opsadom. Izlo\u017eba bi trebala biti primjer, motivacija i inspiracija da se ova tema \u0161to dublje istra\u017euje te da joj se dodijeli mjesto i pa\u017enja koju zaslu\u017euje u na\u0161em dru\u0161tvu i vremenu u kojem \u017eivimo.<\/p>\n

\"\"<\/p>\n

Istinske heroine<\/strong><\/p>\n

Me\u0111u izlo\u017eenim fotografijama Hidajeta Deli\u0107a je i ona na kojoj grupa sugra\u0111ana nosi snajperskim hicem pogo\u0111enu Olgu Su\u010di\u0107. Olga i Suada Dilberovi\u0107 bile su prve \u017ertve otvorene agresije i napada na Sarajevo, nakon kojeg \u0107e uslijediti najdu\u017ea opsada u suvremenoj historiji ratovanja. Njih dvije su se 5. aprila na\u0161le na ulicama grada, bore\u0107i se za mir.<\/div>\n
<\/div>\n
Studentica Suada je u masu gra\u0111ana zaronila s rije\u010dima: “Idem braniti svoje Sarajevo.” Olga, majka dvoje djece, prije nego \u0161to se na\u0161la na potresnoj fotografiji Hidajeta Deli\u0107a, snimljena je posljedni put kada pred TV-kamerom u masi izvikuje: “Ovo je Sarajevo, mi smo za mir!”<\/div>\n
<\/div>\n
Pri\u010da o hrabrim \u017eenama postoji bezbroj. Nije rije\u010d samo o \u017eenama \u010dija smo imena bolje ili slabije upamtili, poput Fadile Od\u017eakovi\u0107 \u017dute, Silve Rizvanbegovi\u0107 ili Sadete Dervi\u0161evi\u0107 i Grete Feru\u0161i\u0107…<\/div>\n

U biti, svaka \u017eena koja je ostala u Sarajevu pod opsadom bila je istinska heroina!<\/p>\n

S potpunim pravom je general Jovan Divjak, koji je u ime udru\u017eenja “Obrazovanje gradi BiH” dao prijedlog za gradnju spomenika \u017eenama ratnog Sarajeva, rekao da taj spomenik treba odati priznanje \u017eenama jer “\u017eene su spasile Sarajevo”. Prema njegovom mi\u0161ljenju, grad nikada ne bi opstao tokom opsade, koja je trajala tri i po godine, bez neumornog rada bezbroj nepoznatih \u017eena.<\/p>\n

Na fotografijama Hidajeta Deli\u0107a, kao i na svim fotografijama snimljenih Sarajki u periodu opsade, one izgledaju kao \u017eivi spomenici.<\/p>\n

Na nekima od njih one su majke, na nekima su supruge, djevojke, k\u0107erke, starice, nane i unuke… Bilo da se smiju, bilo da pla\u010du, da izgledaju zabrinute, vesele, ljute, sjetne, tu\u017ene ili umorne \u2013 one su uvijek gorde, prkosne i ponosne! Pri\u010da o ratu ispri\u010dana kroz ulogu \u017eena u Sarajevu pod opsadom glasna je antiratna poruka cijelom ovom ludom svijetu koji tako sporo u\u010di iz svojih katastrofalnih gre\u0161ki i nepravdi, a me\u0111u kojima se samo jedna zove Sarajevo.<\/p>\n

Upravo zbog toga na otvorenju izlo\u017ebe Hidajeta Deli\u0107a u okviru programa “Modul memorije 2016” u galeriji Ars Aevi smatrao sam adekvatnim pro\u010ditati tekst “Sarajke”,\u00a0koji je rahmetli Alija Isakovi\u0107 objavio u Oslobo\u0111enju <\/em>1.1.1995. godine, a u povodu obilje\u017eavanja 1.000 dana od po\u010detka opsade Sarajeva.<\/p>\n

\"\"<\/p>\n

Tihi heroizam<\/strong><\/p>\n

“Vjerovatno je o njima snimljeno vi\u0161e filmova, neko \u0107e o njima napisati dirljivu poemu, svi smo bili svjedoci njihovog duhovnog i fizi\u010dkog napora i otpora u ovih teku\u0107ih hiljadu logora\u0161kih sarajevskih dana. Vjerujem da su i \u017eene opkoljene Troje i \u017eene zarobljenog Lenjingrada bile sli\u010dne, sasvim prisebne i neuni\u0161tive, ali ovo je sada ne\u0161to novo, novoevropsko i barbarsko, krajnje surovo i izuzetno, eti\u010dki sasvim mra\u010dno i tehni\u010dki sasvim blje\u0161tavo.<\/p>\n

Nekoliko puta sam poku\u0161ao da progovorim o njima na ovom mjestu, i ledenih dana zime 1992. i \u017earkog ljeta 1993. i svaki put je moja rije\u010d bila blijeda, neuvjerljiva i povr\u0161na. Zapravo, nisam mogao vlastitim nastojanjem dosegnuti taj tihi heroizam i nisam mogao da dosegnem prirodnost njihovog samopo\u017ertvovanja, prkosa i patnje. Majke, sestre, supruge i vjerenice poginulih boraca, poginulih sinova, bra\u0107e i o\u010deva, starice i djevoj\u010dice s kanisterima vode i naramcima drva, s ubranom koprivom i radi\u010dem, djevojke s pu\u0161kama u rovu, djevojke u televizijskim i novinskim izvje\u0161tajima s prvih borbenih linija, djevojke i mlade majke u operacijskim salama i no\u0107nim de\u017eurama. \u017dene i djevojke u ratnoj proizvodnji, trudne ili tek rodilje, s ranjenom djecom na rukama, s bolom nad iskopanim mrtva\u010dkim rakama…<\/p>\n

Sve te domi\u0161ljate \u017eene u kuhinjama bez vode i struje, bez plina i drva, koje od svjetskih humanitarnih restlova \u010dine tradicionalna doma\u0107a jela, \u017eene na izlo\u017ebama, \u017eene u pozori\u0161nim predstavama, \u017eene uz muzi\u010dke instrumente i literarna djela, i one malobrojne, na javnim funkcijama…<\/p>\n

Svijet koji ih je gledao u\u017eivo, i sa distance, ne\u0107e to nikada razumjeti. Sve one masakrirane granatama, \u010diste, ispeglane i frizirane, u ukusnim ta\u0161nama i cipelama koje se razlije\u0107u uz njihov posljednji vrisak, sve nasmije\u0161ene i s nevjericom u novo zlo, kao da potpuno ignoriraju surovu realnost, kao da bezrezervno vjeruju u svoje ljudsko dostojanstvo i svoju vje\u010dnost. \u010cak i snajperska raskr\u0161\u0107a pretr\u010davaju graciozno, pridr\u017eavaju\u0107i djecu, torbe i ki\u0161obrane.<\/p>\n

Pamtim ona odmori\u0161ta na klupama Velikog parka. \u0106askaju i \u0161ale se, dotjeruju bluze i pramenove kose. Pored njih sle\u0111eni kanister s vodom od Pivare, s vodom obje\u0161enom na grudi i ple\u0107a \u2013 od Pivare do Ko\u0161evskog brda! Kre\u0107u \u0161utke i nema u tih starica i u tih djevoj\u010dica nikakve gor\u010dine i jadanja. One, jednostavno, idu, nose i idu, kao da su nekim \u010dinom predodre\u0111ene da to rade.<\/p>\n

Idem tim ulicama ukra\u0161enim granatama, idem tragovima mrtvih, i vidim veliki plakat ‘\u0160kola plesa’. Podrumska generacija dozrela u neima\u0161tini i poni\u017eenju, izlazi na plesni podijum i kre\u0107e u \u017eivot, hrabra srca i otvorenih o\u010diju. Njih niko ne mo\u017ee zaustaviti, nikakva grubost i nikakav primitivizam. Ti na\u0161i najmla\u0111i \u2013 sve \u0107e znati, sve \u0107e htjeti, i sve \u0107e mo\u0107i. Sretan sam \u0161to \u0107u ih pamtiti, takve.”\u00a0(“Sarajke”, Alija Isakovi\u0107, Oslobo\u0111enje, subota, 31.12.1994 \/ nedjelja 1.1.1995)<\/em><\/p>\n

Kako “Modul memorije” nije program koji se bavi pro\u0161lo\u0161\u0107u zbog same pro\u0161losti, ve\u0107 mu je cilj utjecati na kreiranje na\u0161e ljep\u0161e budu\u0107nosti, podsjetit \u0107u nas i na neke zastra\u0161uju\u0107e podatke. Razna istra\u017eivanja pokazuju da je polo\u017eaj \u017eene u na\u0161em dru\u0161tvu i dalje daleko ispod onog kakav im pripada i kakav zaslu\u017euju. Iako bi se moglo re\u0107i da danas samo budale i neznalice mogu potcjenjivati ili omalova\u017eavati \u017eene, na\u017ealost to i dalje nije rijetkost. U istra\u017eivanju “UN Woman BiH”, prezentiranom prije nekoliko godina, iznesen je podatak da 72 posto od 1.200 ispitanih mladi\u0107a odobrava nasilje nad \u017eenama!<\/p>\n

Izme\u0111u ostalog, odgovor ove izlo\u017ebe na te stravi\u010dne pokazatelje je da se tih 72 posto mladi\u0107a ni po \u010demu ne razlikuje od onih zlo\u010dinaca i krvnika koji su ovaj grad dr\u017eali pod opsadom!<\/p>\n

 <\/p>\n

Izvor: Al Jazeera, objavljeno 6. maja 2016. <\/a>
\n<\/em><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"Na fotografijama Hidajeta Deli\u0107a, bilo da se Sarajke smiju, bilo da pla\u010du, da izgledaju zabrinute, vesele, ljute, sjetne, tu\u017ene ili… ","protected":false},"author":8,"featured_media":138970,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[593],"tags":[],"class_list":["post-138974","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tranziciona-pravda-bhsc"],"acf":[],"yoast_head":"\nSarajke pod opsadom - \u017eivi spomenici - REKOM ~ KOMRA ~ RECOM<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.recom.link\/bhsc\/sarajke-pod-opsadom-zivi-spomenici\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sarajke pod opsadom - 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