{"id":126411,"date":"2015-06-22T08:10:40","date_gmt":"2015-06-22T07:10:40","guid":{"rendered":"http:\/\/www.recom.link\/?p=126411"},"modified":"2015-06-22T09:14:10","modified_gmt":"2015-06-22T08:14:10","slug":"slavno-je-za-otadzbinu-zaboravljati","status":"publish","type":"post","link":"https:\/\/www.recom.link\/bhsc\/slavno-je-za-otadzbinu-zaboravljati\/","title":{"rendered":"Slavno je za otad\u017ebinu zaboravljati"},"content":{"rendered":"

\"Bilten<\/a>\u00a0 <\/strong><\/p>\n

Nacionalizam je, po Ernestu Gellneru<\/strong>, politi\u010dki princip, koji zahtijeva poklapanje politi\u010dkih i etni\u010dkih granica. Nacionalisti\u010dki narativ konstruira javno sje\u0107anje od onih \u010dinjenica koje mogu legitimirati ovaj princip. Sve \u0161to dovodi u pitanje navedenu podudarnost biva slu\u017ebeno zaboravljeno ili se njegovo zna\u010denje relativizira.<\/p>\n

U takvom je kontekstu od iznimne va\u017enosti mjesto na kojem se pojavljuje kontrasje\u0107anje – sje\u0107anje koje pripada manjinskim grupama i koje je “marginalizirano od strane dominantne kulture”. Promatrano kao instrument razli\u010ditih oblika dru\u0161tvene dominacije ili otpora istoj, sje\u0107anje postaje politi\u010dki \u010din. Ukoliko govorimo o politi\u010dnosti kazali\u0161ta postjugoslovenskog prostora, ono se mo\u017ee konstituirati upravo tu, u otporu slu\u017ebenom memoricidu, u komemoraciji onoga \u0161to slu\u017ebena historiografija zaboravlja, ali i radikalnim reintepretacijama \u010dinjenica koje ne polaze od nacionalisti\u010dke premise o kongruentnosti politi\u010dkog i nacionalnog.<\/p>\n

To je pokazala i Sofoklova “Antigona” – drama nametnutog sje\u0107anja, pripadaju\u0107eg zaborava i kontrasje\u0107anja. Pri\u010da o sestri koja odlu\u010duje ukopati i o\u017ealiti brata kojem je to pravo uskra\u0107eno dekretom najvi\u0161eg centra politi\u010dke mo\u0107i, mo\u017ee funkcionirati i kao alegorija o postjugoslovenskim dru\u0161tvima i njihovim politikama sje\u0107anja i zaborava. Me\u0111utim, puno vi\u0161e od toga, ona govori o kazali\u0161tu kao mjestu emancipacije prohibiranog sje\u0107anja.<\/p>\n

Poseban status sje\u0107anja, to\u010dnije kontrasje\u0107anja, intrigira me u mom kazali\u0161nom radu od samih po\u010detaka. Upravo je to to\u010dka na kojoj se poslovi\u010dno odsustvo interesa naj\u0161ire zajednice za ovaj medij pretvara u izrazitu dru\u0161tvenu antagonizaciju. Umjesto insceniranja sukoba me\u0111u fikcionalnim likovima, teatar u ovom slu\u010daju generira dramu u \u0161irem dru\u0161tvenom polju, u prostoru normiranog zaborava i sje\u0107anja koje u odnosu na njega predstavlja transgresiju.<\/p>\n

Upravo iz iskustva aktivne ili pasivne participacije kazali\u0161ta u Hrvatskoj u slu\u017ebeno propisanom zaboravu fomirao se moj teatarski svjetonazor i jezik – izvor stalnih nesporazuma i osporavanja u ve\u0107ini sredina u kojima radim. Nesporazum s hrvatskom kazali\u0161nom zajednicom kulminirao je upravo na predstavi “Hrvatsko glumi\u0161te”, koja je do\u017eivjela strukovni i medijski lin\u010d jer je postavila pitanje “mo\u017ee li se ono \u0161to ve\u0107ina hrvatskoga glumi\u0161ta proizvodi od rata naovamo uop\u0107e nazivati kazali\u0161tem, ako bi naime kazali\u0161te trebalo biti dru\u0161tveni, eti\u010dki i umjetni\u010dki \u010din koji zlo\u010dinu ima hrabrosti dati ime, oduzeti pravo na razlog i odrediti mjeru krivnje? Kakvo je to uop\u0107e kazali\u0161te, to ve\u0107insko hrvatsko glumi\u0161te, koje ne prepoznaje tragediju svojih sugra\u0111ana? Kakvo je to kazali\u0161te koje na fa\u0161izam odgovara \u2013 fa\u0161izmom?”<\/p>\n

A fa\u0161izam hrvatskog glumi\u0161ta, kojim sam se bavio u toj predstavi i nad kojim se podjednako i s istim argumentima zgra\u017eaju i kazali\u0161na ljevica i desnica, ulazi u pro\u0161ireno zna\u010denje ovog pojma, onako kako ga je definirao Michael Foucault<\/strong>, koji uz “historijski fa\u0161izam, fa\u0161izam Hitlera<\/strong> i Mussolinija<\/strong>“, kod njega ozna\u010dava i “fa\u0161izam u svima nama, u na\u0161im glavama i na\u0161em svakodnevnom pona\u0161anju, fa\u0161izam koji \u010dini da volimo mo\u0107, da \u017eelimo upravo ono \u0161to dominira nad nama i eksploatira nas.” Fa\u0161izacija hrvatskog dru\u0161tva realizirala se, izme\u0111u ostalog, i nekriti\u010dkim odnosom prema vlasti u trenutku kad je ona politi\u010dki sponzorirala ubojstva hrvatskih gra\u0111ana krive nacionalnosti, kao \u0161to je bio slu\u010daj s \u010dlanovima obitelji Zec<\/strong>, ubojstvima u Pakra\u010dkoj Poljani, ratnoj luci Lora, otvaranjem koncentracionih logora u zapadnoj Hercegovini za Bo\u0161njake, ubijanjem i protjerivanjem Srba tijekom akcije Oluja. Kazali\u0161na zajednica u Hrvatskoj sve te zlo\u010dine nije imenovala, jo\u0161 manje im oduzela “pravo na razlog i odredila mjeru krivnje”.<\/p>\n

Ali je kazali\u0161na zajednica u tom periodu i te kako svojim radom i ukupnim javnim djelovanjem, pa i doslovnim uzimanjem pu\u0161ke u ruke sudjelovalo u ratno-propagandnoj ma\u0161ineriji HDZ-a. 1991. Hrvoje Hitrec<\/strong> osniva Satniju hrvatskih umjetnika<\/em> u kojoj su, izme\u0111u ostalih, bile i glumice Jasna Bilu\u0161i\u0107<\/strong> i Perica Martinovi\u0107<\/strong>, te redatelj Jo\u0161ko Juvan\u010di\u0107<\/strong> i glumac Ljubomir Kapor<\/strong>. Mimo Satnije u rat su se uklju\u010dili glumac Sven Lasta<\/strong>, te redatelji Miro Me\u0111imorec<\/strong> i Slobodan Praljak<\/strong>. Kre\u0161imir Dolen\u010di\u0107<\/strong> postaje neka vrsta dvorskog redatelja zadu\u017eenog za re\u017eiranje razli\u010ditih Tu\u0111manovih ceremonija, od kojih su najpoznatije pogreb Gojka \u0160u\u0161ka<\/strong> i vojna parada na Jarunu. 1997. Zlatko Vitez u zagreba\u010dkom HNK re\u017eira ro\u0111endan Franje Tu\u0111mana<\/strong> u kojem, izme\u0111u ostalih, sudjeluju i Ena<\/strong> Begovi\u0107<\/strong>, Dragan Despot<\/strong>, Vanja Drach<\/strong>, Kruno \u0160ari\u0107<\/strong>, Jo\u0161ko \u0160evo<\/strong>, Zlatko Crnkovi\u0107<\/strong>, \u017darko Poto\u010dnjak<\/strong>, Franjo Kuhar<\/strong>, Mladen Vuli\u0107<\/strong>, Zvonimir Zori\u010di\u0107<\/strong>, Ivan Brki\u0107<\/strong>, Ivanka Boljkovac<\/strong>, te Marko Torjanac<\/strong>.<\/p>\n

Primjera je jo\u0161 mnogo, ali ve\u0107 i ovi pokazuju da je ve\u0107ina kazali\u0161taraca u Hrvatskoj podlegla nacionalnoj histeriji, te da se me\u0111u njima, za razliku od nekih njihovih beogradskih kolega, nije uspio artikulirati antiratni diskurs, \u010dak ni kada je Hrvatska ve\u0107 naveliko radila na komadanju Bosne i Hercegovine ili kad su informacije o ratnim zlo\u010dinima Hrvatske vojske bile javne. Onda ne iznena\u0111uje da takva kazali\u0161na zajednica, koja je izvr\u0161ila svoj dio zadatka u slu\u017ebeno propisanom zaboravljanju i pre\u0161u\u0107ivanju, danas \u017eeli zaboraviti i sebe iz tog vremena.<\/p>\n

Da su kazali\u0161tarci pogodan materijal za zaborav i prigodno ideolo\u0161ko oblikovanje, pokazao je i jedan primjer iz pora\u0107a gdje se ponovno ostvario njihov visok stupanj mobilizacije u ratu nastavljenom drugim sredstvima. Rije\u010d je o “Zahtjevu 555 hrvatskih uglednika Vladi RH” kojim se tra\u017eilo da Vlada Republike Hrvatske odbije izru\u010denje generala Gotovine<\/strong> Ha\u0161kom sudu, te da od ha\u0161kog tu\u017eiteljstva zatra\u017ei obustavu kaznenog progona na temelju podignute optu\u017enice. Zahtjev su potpisali i sljede\u0107i kazali\u0161ni umjetnici: Nada Abrus<\/strong>, Jasna An\u010di\u0107<\/strong>, Inge Appelt<\/strong>, Ivica Bari\u0161i\u0107<\/strong>, Slavko Brankov<\/strong>, Mirela<\/strong> Brekalo<\/strong>, Lukrecija Bre\u0161kovi\u0107<\/strong>, Ivan Brki\u0107<\/strong>, Miljenko Brle\u010di\u0107<\/strong>, Senka Buli\u0107<\/strong>, Helena Buljan<\/strong>, Boris Buzan\u010di\u0107<\/strong>, Zlatko Crnkovi\u0107<\/strong>, Branka Cvitkovi\u0107<\/strong>, Velimir \u010cokljat<\/strong>, Dragan Despot<\/strong>, Boris Dvornik<\/strong>, Nina Erak<\/strong>, Mato<\/strong> Ergovi\u0107<\/strong>, Lidija Florijan<\/strong>, Emil Glad<\/strong>, Ivo Gregurevi\u0107<\/strong>, Goran Grgi\u0107<\/strong>, Nives Ivankovi\u0107<\/strong>, Darko Jane\u0161<\/strong>, Vjekoslav Jankovi\u0107<\/strong>, Zdenko Jel\u010di\u0107<\/strong>, Ivan Jon\u010di\u0107<\/strong>, Jasna Juki\u0107<\/strong>, Trpimir Jurki\u0107, Ljubo Kapor<\/strong>, Marija Kohn<\/strong>, Adam Kon\u010di\u0107<\/strong>, Bo\u017eidar Ko\u0161\u010dak<\/strong>, Niko Kova\u010d<\/strong>, Franjo Kuhar<\/strong>, Dra\u017een Kuhn<\/strong>, Nik\u0161a Ku\u0161elj<\/strong>, Danko Lju\u0161tina<\/strong>, Mirjana Majurec<\/strong>, Slavica Maras-Mikulandra<\/strong>, Tomislav Marti\u0107<\/strong>, Ante-\u010cedo Martini\u0107<\/strong>, Mi\u0161e Martinovi\u0107<\/strong>, Maro Martinovi\u0107<\/strong>, Perica Marinovi\u0107<\/strong>, Damir Mejov\u0161ek<\/strong>, Igor Me\u0161in<\/strong>, Boris<\/strong> Miholjevi\u0107<\/strong>, Darko Milas<\/strong>, Helena Mini\u0107<\/strong>, Vedran Mlikota<\/strong>, Suzana Nikoli\u0107<\/strong>, Mia Oremovi\u0107<\/strong>, Frane Per\u0161in<\/strong>, Sini\u0161a Popovi\u0107<\/strong>, \u017darko Poto\u010dnjak<\/strong>, Ksenija Prohaska<\/strong>, Ivica Pucar<\/strong>, Nada Rocco<\/strong>, Sini\u0161a<\/strong> Ru\u017ei\u0107<\/strong>, Davor Svedru\u017ei\u0107<\/strong>, Boris Svrtan<\/strong>, Alen \u0160alinovi\u0107<\/strong>, Krunoslav \u0160ari\u0107<\/strong>, Jo\u0161ko \u0160evo<\/strong>, Glorija \u0160oleti\u0107<\/strong>, Milan \u0160trlji\u0107<\/strong>, Zvonko Torjanac<\/strong>, Romina Vitasovi\u0107<\/strong>, Zlatko Vitez<\/strong>, Edo Vuji\u0107<\/strong>, Mladen Vuli\u0107<\/strong>, Ivica Zadro<\/strong>, Mirta Ze\u010devi\u0107<\/strong>, Zvonimir Zori\u010di\u0107<\/strong>, Jozo Zovko<\/strong>, Vladimir Geri\u0107<\/strong>, Branko Ivanda<\/strong>, Jo\u0161ko Juvan\u010di\u0107<\/strong>, Lawrence Kiiru<\/strong>, Vlatko Perkovi\u0107<\/strong> i \u017deljko Sene\u010di\u0107<\/strong>.<\/p>\n

Nomina sunt odiosa<\/em>, ali nijedno od ovih imena nije stajalo ni na jednom zahtjevu kojim bi se tra\u017eilo procesuiranje onih koji su sudjelovali “u udru\u017eenom zlo\u010dina\u010dkom pothvatu, \u010diji zajedni\u010dki cilj je bio prisilno i trajno uklanjanje srpskog stanovni\u0161tva iz regije Krajina, izme\u0111u ostalog plja\u010dkanjem, o\u0161te\u0107ivanjem ili potpunim uni\u0161tavanjem imovine srpskog stanovni\u0161tva, kako bi se pripadnike tog stanovni\u0161tva odvratilo ili sprije\u010dilo da se vrate i ponovno nastane u svojim domovima.” Jer, radilo se o generalu Gotovini ili nekome drugome – zlo\u010din je zlo\u010din i hrvatsko glumi\u0161te bi trebalo kona\u010dno shvatiti da etnicitet \u017ertve ili agresora ne mo\u017ee biti kriterij sje\u0107anja ili zaborava.<\/p>\n

A dok se to dogodi, preostaje predstava “Hrvatsko glumi\u0161te” koju jednakom snagom mrze i kazali\u0161tarci i branitelji i Katoli\u010dka crkva i ve\u0107ina hrvatske javnosti. Ve\u0107 tako \u0161iroka koalicija mrzitelja pokazuje snagu kazali\u0161ta koje bi, ukoliko \u017eeli zadr\u017eati minimum moralnog po\u0161tenja prema sebi i dru\u0161tvu koje predstavlja, trebalo postati povla\u0161teno mjesto sje\u0107anja koju sve druge institucije bri\u0161u.<\/p>\n

 <\/p>\n

Oliver <\/strong>Frlji\u0107<\/strong><\/p>\n

Autor je kazali\u0161ni redatelj iz Hrvatske<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"Oliver Frlji\u0107","protected":false},"author":8,"featured_media":126412,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[591],"tags":[1584],"class_list":["post-126411","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-specijalno-za-rekom","tag-oliver-frljic"],"acf":[],"yoast_head":"\nSlavno je za otad\u017ebinu zaboravljati - REKOM ~ KOMRA ~ RECOM<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.recom.link\/bhsc\/slavno-je-za-otadzbinu-zaboravljati\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Slavno je za otad\u017ebinu zaboravljati - 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